+++Everything is less [or the Small becomes big]++++++Everything is less [or the Small becomes big]+++First, his interest is in the spatialization of sound. Second, he also uses the same technologies we use. Third, he has been very much interested in the concept of “abundance” or “fullness”. His “Sound Sushi” performance and the way he presented his works was very impressive and deep, questioning “where is art happening?”, at the edge of listening, edge of sound, and in the unfinished perception of moments.
He sees itself as a SoundSculptor (KlangPlastiker). He works with the versatility of sounds. The reference of image in the sound. Electro-acoustic instruments allow him to open up the potential of an open space. Earth’s surface becomes score: Exploit in unheard fields. And, not the boundaries of the physical characteristics of instruments (eg cello, piano) are constitutive of it, but the in-band power of imagination. How everyday sounds and video images resonate surface on wood? Horizon is the transition into the atmosphere, place of transshipment.
© Vera BühlmannFirst, his interest is in the spatialization of sound. Second, he also uses the same technologies we use. Third, he has been very much interested in the concept of “abundance” or “fullness”. His “Sound Sushi” performance and the way he presented his works was very impressive and deep, questioning “where is art happening?”, at the edge of listening, edge of sound, and in the unfinished perception of moments.
He sees itself as a SoundSculptor (KlangPlastiker). He works with the versatility of sounds. The reference of image in the sound. Electro-acoustic instruments allow him to open up the potential of an open space. Earth’s surface becomes score: Exploit in unheard fields. And, not the boundaries of the physical characteristics of instruments (eg cello, piano) are constitutive of it, but the in-band power of imagination. How everyday sounds and video images resonate surface on wood? Horizon is the transition into the atmosphere, place of transshipment.
© Vera Bühlmann